Nilima Sheikh

1984

Ritualised Mourning, Marshia

New Walk Museum and Art Gallery

1984

The Husband, Sister-in-Law and Mother-in-Law Plot to Kill Champa, while She Dozes Battered and Exhausted from the Chores Given to Her, in the Kitchen

New Walk Museum and Art Gallery

1984

Champa, on the Swing, a Traditional Motif of Love and Girlhood, on the Eve of Her Marriage

New Walk Museum and Art Gallery

1984

Champa's Funeral Pyre

New Walk Museum and Art Gallery

1984

Conspiracy to Murder while Champa Works in the Kitchen

New Walk Museum and Art Gallery

1984

Conflict between the Daughter-in-Law and Mother-in-Law, while the Husband Enjoys a Rest

New Walk Museum and Art Gallery

1984

The Womenfolk of the House Inspect Champa, the New Bride

New Walk Museum and Art Gallery

1984

Champa, before Her Marriage, and with Her Mother

New Walk Museum and Art Gallery

1984

Arrival and Welcome, 'aati' at the In-Laws and the Kitchen, the Bride's Place

New Walk Museum and Art Gallery

1984

Fire and Smoke from the Kitchen

New Walk Museum and Art Gallery

1984

Tensions in the Household and Persecution of the New Bride

New Walk Museum and Art Gallery

1984

Marriage and Departure to the In-Laws' Village

New Walk Museum and Art Gallery

2014

We Must Bear

Art Institute of Chicago

Akka Mahadevi

None

Love-Lore

None

Nativity

None